Directing credits include
The Land Of Might-Have-Been
Buxton Festival / Norwich Theatre
by Ivor Novello & Michael Williams
Rough Girls
Lyric Theatre, Belfast
by Tara Lynne O’Neill
Romeo and Juliet
Open Air Theatre
by William Shakespeare
As You Like It
RSC / Barbican / UK Tour
by William Shakespeare
The Whip
RSC
by Juliet Gilkes Romero
Beryl
Bolton Octagon
by Maxine Peake
Mark and the Marked
Box Clever Theatre Company
by Michael Wicherek
The Hate Play
Box Clever Theatre Company
by Michael Wicherek
Working, A Musical
Royal Academy of Music
by Studs Terkel, Stephen Schwartz & Nina Faso
Dido, Queen of Carthage
RSC
by Christopher Marlowe
nominated for UK Theatre 2018 Best Director award
Macbeth
Box Clever Theatre
adapted by Michael Wicherek
Whose Sari Now?
Rasa Theatre Company, Theatre Royal Stratford East
by Rani Moorthy
The Hate Play
Box Clever Theatre
by Michael Wicherek
Mark and the Marked
Box Clever Theatre
Devised
Pieces
Ugly Sister Productions, The New Diorama
by Sian Owen
Ironman
Itch, Pleasance Theatre London
by Tom Collinson
Vol Au Vent
Rapid Write Response, Theatre 503
by Corinne Salisbury
SATB
Rose Bruford New Writing Season, Soho Theatre
by Meredith Oakes
In the Solitude of Cotton Fields
Tristan Bates Theatre
by Bernard-Marie Koltes
Lomki
The Story Project, Southwark Playhouse
by Gareth Jandrell
Diary of a Thief
Wide Eyes Theatre
by Toby Young
Additional Experience
Kimberley has led development and dramaturgical work for the RSC, Lyric Belfast, Headlong, Donmar Warehouse and National Theatre Studio. Other roles include Education Associate Practitioner for the RSC, Connections Director for the National Theatre, judge for the Alan Bates Award and reader for The Bruntwood Prize.
Training
National Theatre Studio Directors Course
BA Hons Theatre Directing, Rose Bruford College